An organization dealing in antiques, established 15 years ago by a retired banker with the intention to collect only genuine and original antiques for cultural preservation and investigating techniques of art of the past .
Imparting knowledge to the collectors is the prime goal and the working of the company has been widely acknowledged by intellectuals.
The company has been exporting consignments overseas specially to USA, Germany, Switzerland , Sweden ,UK etc.
Very fine Chinese Porcelain set of two smaller and one medium and one larger bowl for a special occasion.
\The bigger bowl is specially manufactured having carved rim unlike usual round one and finely painted with floral decoration.
The one smaller cup is painted with a blue colored chicken image and the other one with a red color dragon.
All the cups are original and in good condition with no repair or restoration. The manufacturer signatures are available on the bottom of the cups and bowl.
The main literary notice of authentic Gandhara, the area that lies in the northwest of Pakistan and eastern Afghanistan, was in the ninth century BCE. Through the following nine hundred years the area was vanquished by Alexander the Extraordinary, the Indian Mauryan line, the Parthians, the Indo-Greeks, lastly the Focal Asian Kushan Domain. This complex history, with its numerous social impacts, structured the establishment for an area where Buddhism and Buddhist workmanship would thrive and create interesting qualities. This presentation investigates the essential qualities that make lives up to expectations from Gandhara of such significant social noteworthiness, emphasizing stone figures and reliefs, bronzes, and works in gold dating from the first century BCE to the fifth century CE—from the Indo-Greek through Kushan periods, and shutting with the beginnings of Sasanian lead there. The Buddhist Legacy of Pakistan is the first show to bring works of Gandharan workmanship from Pakistan to the United States in more than fifty years. Workmanship from Gandhara is eminent for its striking complex qualities, a hefty portion of which reflect complex associations with Greco-Roman and Parthian craftsmanship. The area was an intersection where the early impacts of the western traditional world met with Indian symbolism and nearby practices. In the meantime, Gandhara is likewise paramount for the interesting types of Buddhist symbolism that developed there. These incorporate a cluster of alleviation scenes from the life of the Buddha, pictures of different buddhas, and figures of bodhisattvas.
The legacy of Gandharan Buddhism and its momentous craftsmanship can at present be located all through Asia. In spite of the fact that its heartland was found in present-day Pakistan, Gandharan society spread through Focal Asia and arrived at the Tarim Bowl. Numerous thoughts and pictures that created in Gandhara inevitably set out to China, and from that point to Korea and Japan. This phenomenal history makes Gandharan craft of persisting criticalness to research. This art of the time compelled researchers to make probe into evolution of art and culture specially in a particular area of Pakistan called PUSHKLAWATI (An ancient name meaning " Home of daffodils:, the remnants of which are still fresh.This area is called Hashtnagar located near Peshawar.
In the early hundreds of years of Christian period, there bloomed in North-western district of Pakistan, noteworthy and extraordinary Buddhist human progress in all its superbness and wonder. It is presently referred to the world over as "Gandhara Civilization". initially, on the other hand, the name remained for a nation, old kingdom spotted in this piece of Pakistan.
What precise zones its outskirts en compassed can't be dead set with any extraordinary exactness today, however, as per Hsiang Tsang, the renowned worldwide Chinese explorer, Empire of Gandhara "reaches out around 1000 li from East to West and around 800 li from North to South. It is limited on East by Sin (Sindhu-Indus) waterway. Its capital is Po-lu-sha-pu-lo (Purushapura = Peshawar)".
This affirmation, alongside other accessible proof, shows that the kingdom of Gandhara was kept to the regions West of Indus, now containing the valley of Peshawar and the bumpy areas of Swat, Buner and Bajaur. Anyhow the workmanship for which it is so acclaimed reached out a long ways past its geological outskirts.
Albeit divided by the waters of the compelling Indus and the grand scopes of Himalayas and Hindukush, Gandhara remains have been found as far South as Mankiyala close Rawalpindi and as far North as Oxus waterway. This was apparently no segregated society, yet framed piece of one and the same Buddhist progress; its craft was recognized all over by the same general trademark, with just minor nearby varieties.
The land circumstance of this North-Western district, or what was once aged Gandhara, set it in key position to assume critical part ever. It is intriguing nation, rich with corps, overall watered by Indus and her limbs and charming, with mils atmosphere. Its grand foot-slopes have partitioned it into little, independent valleys or Arcadian magnificence, which look somewhat like those of established Greece.
Lying on borderland between Indo-Pakistan and Western Asia and having a place as meager to the one as to alternate, this nation was honorably arranged to develop, alongside the adjoining domains of Punjab and Afghanistan, one of a kind work of art, which joined the best components of traditional East and West.
Gandhara was never under indigenous standard aside from once in its long and checkered history. It came progressively under the mastery of long line of remote intruders. As an issue, its kin got to be cosmopolitan in their society and viewpoint, as well as in their physical appearance.
A percentage of the figures, spoke to in Gandhara models, are strikingly tall and stately with slack trousers and sleeved layer, nearly looking like the present-day Pathans; others are typically Greek, Scythian or Parthian , while yet others have the qualities of Indo-Pakistani structures.
The regular discourse of the individuals was Prakrit, however the script was Kharoshthi, adjusted manifestation of Aramaic, then present in Western Asia. The ordinary script for holy messages was Brahmins. Clearly, Gandhara took its discourse from Indo-Pakistan subcontinent and its composition from West. The close combination of these two generally disparate components is likewise traceable in numerous different parts of contemporary life, yet it is maybe no place so plainly show as in sculptural workmanship.
Gandhara was prosperous nation, in every way. Her success was guaranteed as much by her prolific soil as by her curious geological position. The extraordinary blood vessel exchange courses, which crossed Asia, from China to Mediterranean coast and from Turkestan to Indo-Pakistan subcontinent, passed through this area, and it served as limit in the middle of East and West.
Monetary flourishing of Gandhara, and the vitality of her enter position on the planet's trade is confirmed indistinguishable by artistic and recorded records and archeological records. For two centuries, somewhere around 50 and 250 AD, Gandhara, or what is currently North-West Pakistan, was kept occupied with the travel exchange of Orient, and it claimed a toll on all products that passed through its outskirts.
By Kushana times, this extending exchange and the expanding riches it brought with it, made it fundamental for Kanishka to embrace, for his gold coinage, topics from Western mythology and standard of weight from Roman cash. In expressions and artworks, additionally, Gandhara was generally progressive and her items, which included carefully worked gold and silver adornments and cut ivory and metal articles, were very prized in numerous parts of the edified world.
The root of Gandhara is lost in fabulous indistinct quality. Despite the fact that said in Vedic writing, we discover the first chronicled mention to it in the Bisotoun Inscription of Darius I, dated 518 BC, which records Gandhara as prevailed over territory. From that point forward, it stayed under Persians as prosperous Satrapy, paying the biggest tribute to Imperial coffers. Its specific geological area, its prospering exchange and trade, its crafts and artworks, sustained in unbroken peace, guaranteed its proceeded with success.
The tranquil pool of life was, in any case, impolitely dispersed by Alexander, Macedonian interloper. His triumph of the region, in 326 BC, by and by demonstrated an aid in mask. Agnostic Greeks soon ended up stifled by prevalent religious rationale of East and utilized all their imaginative aptitude and discernment in its administration, making new Buddha with lovely Roman characteristics and oriental corona. This mode od model denoted a change from customary Indian style.
Alexander's occupation was, notwithstanding, fleeting and obviously irrelevant. Not really, Mauryan period tailed it. This was critical and unequivocal period ever. For, it was Asoka, Mauryan Emperor, and his preachers, who changed over the nation to Buddhism. His rock-declarations at Shahbazgarhi and Mansehra bear smooth confirmation of his teacher enthusiasm. He is credited with the building of 84,000 religious structures in diverse parts of this nation, some of which are still traceable.
This antique Chinese fine porcelain tea pot has painting on one side and calligraphy on the other giving it an artistic touch.
The tea pot was made from a fine paste of porcelain.The handles are made of iron bars.It is very surprising to note that in Chinese culture much importance has been given to the pottery manufacturing process and the structure of kilns..The experts used to exercise extreme care while making pots for the court .
The art work was unique depicting story or event.The above piece has always been liked by collectors.
Antique Chinese hardwood reddish Netsuke of a sage ( Shaulao) with animals.The netsukes are the products of Japan originally small in size spreading gradually to other regions.
. Manufacturer marks available on Netsuke showing the age of manufacture
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Height 15 cm Width 7 cmWeight 227 gms 2. The sculture made from bony material depicts elephants in the upper and lower portion of its body showing might of the era.
